Sep 6, 2008

In Case You Missed It Two: No Country for Old Men and I Now Pronounce You Chuck and Larry



No Country for Old Men is quirky ride that is both captivating and frustrating. It is difficult to see this movie as the best picture of 2007 because it feels incomplete. Joel and Ethan Coen have done something magnificent for three fourths of a film. The movie is shot beautifully and the performances of Josh Brolin (Llellwyn Moss) and Javier Bardem’s haunting portrayal of Antone Chigurh are well done. There are so many things to love about this movie, but for most of you, you’ll end up hating it. It feels like a lost investment.
Josh Brolin plays the “everyman” as Moss and at first it seems apparent that the Coens want him to be the lead protagonist. He “stumbles” upon two million dollars after a violent drug deal has gone wrong in the Texas badlands. Moss’s dilemma is about “what to do with the money?” He decides to put his young wife into early retirement and keep the money. What ensues is a cat and mouse chase between Moss and a psychotic hitman named Antone Chigurh. Brolin is put into some very pulse pounding situations and proves to be a more than serviceable adversary for a professional like Chigurh. Brolin plays Moss as someone who is resourceful in life and death situations. This makes for some the most intense scenes on screen you’ll ever see.
Javier Bardem’s Antone Chigurh is frightening as a villain. He lacks a conscious and has one of the more unique ways of killing a victim. He to is resourceful and plays by a different set of rules. Bardem deserves credit for creating a character that is involving and truly scary. He is representative of something we cannot understand. Chigurh is the Coens greatest achievement in this movie. Bardem’s Chigurh turns a quarter into a life changing event for victims and this makes for a scene that is beyond doubt a classic cinematic moment.
Tommy Lee Jones plays the cop who is at the end of his career and is “blessed” with the unenviable task of hunting down both men. He is the “old man” in the title and want nothing more to end his working life on a high note by solving the mystery behind the missing two million dollars. Jones plays a role we are familiar with. The fugitives name however is not Dr. Richard Kimble. Jones is probably the most interesting character in the film, but at times his portrayal is at times, disjointed. There are some scenes between Jones and his deputy that are true gems.
So, what is wrong with No Country for Old Men? The ending is so frustrating that it is impossible to “love” this movie. I know the movie is based off of the book by Cormac McCarthy and a metaphor for putting the old working class people out to pasture after they have served there use to society. Jones speaks in metaphors in the final act and frankly it doesn’t work. Metaphors are a LITERARY DEVICE saved for books. Film-goers invest two hours and are rewarded with a metaphor. If they wanted that they could have picked up a copy of the book. The reason this movie is disappointing is that it is EXCELLENT for the most part, but leaves viewers feeling empty by the end credits. There is No Country for unfinished movies.


I Now Pronounce You Chuck and Larry is a complete disgrace to hetero and homosexuals. I want to say that I really like Kevin James and I think Adam Sandler is a very talented actor. They have a chance to really make a statement here and drop the proverbial ball. This is NOT an impactful drama or a comedy. Those of you that laughed should be ashamed. This film is most offensive towards intelligent heterosexuals.
Sandler and James play New York City firefighters. James plays the family man who lost his wife too early and is raising two young children. Sandler is Mr. February in the firehouse yearly calendar of “sexy” firemen. He is the womanizing party animal. James and his family are denied benefits that his children seem to be entitled to if he dies on the job, but because of his deceased wife and single status the city of New York in their infinite wisdom has revoked his benefits unless he can prove he is married. He enters into what is supposed to be the holy union of marriage with his best friend. The premise is that this arrangement will allow him to take care of his children if he dies on the job. Sandler reluctantly agrees to marry his best friend in Canada.
This movie fails miserably to be funny, poignant, or tolerant of gays. It is a very insincere movie that pokes fun at every gay stereotype. There isn’t one masculine gay character throughout the film. Ving Rhames plays the supposedly closeted tough firemen. There is a shower scene in which Sandler and James’s relationship has been disclosed to the firehouse and the soap gets dropped. All of the straight guys refuse to get the soap because it is a known fact that all gays will mount you if you drop the soap in the shower. All of us straight guys know that to be a fact. Rhames enters the shower and the commotion stops as he picks up the soap and in a very feminine way starts to sing “I’m every Woman.” I guess I was supposed to laugh, but I was so offended and truly embarrassed to be straight.
Enter the beautiful Jessica Biel as James’s lawyer and the female love interest of Sandler. She is purposely put into this movie to remind us that we are not gay. That by watching a movie about homosexuality we will not catch the “Gay.” Biel’s brother in the film happens to be gay and she does a lot for the advancement of gay rights and that is the problem with Chuck and Larry. It isn’t about gay rights, it is about the right to make fun of gays and turn a profit of the backside of a big star in Sandler. It so happens that Biel’s brother is, you guessed it, a flamboyant gay character.
Chuck and Larry spends most of its time telling us how gay we are not. Sandler beds Hooters girls and an ugly Eastern European maid. Dan Akroyd has a bit part as the fire chief and gives a “lesson” on being tolerant about other lifestyles at the end of the film. The movie had a chance to address a real problem in a comical way, but instead becomes and insensitive piece of gay bashing worthy of the title hate crime.

12 comments:

Onkel Chrispy said...

dude. i could debate several points about 'no country for old men' for days. but let me say something about the ending. it was perfect and the only way to end it. chigurh, love him or hate him, was the only one to stick with his principals and his ideals. i did not feel cheated at the end of this movie, simply because they chose NOT to wrap it all up in a neat little package, like 90% of the drivel that is presented to the movie going public. i like not having my intelligence insulted, and it is fun to not know what happens next. most of the cohen brothers films have open ended endings. as do most film noir, a genre which they often work in, or in the very least are influenced heavily by.

and how can anyone be offended by chuck and larry? really? i asked a gay couple what they thought of it and they liked it, even recommended it. it's mildly numerous. and sure it plays around with stereotypes. it was preachy and stupid and sandlerized and schmaltzy and inteligence insulting, but hardly offensive.

see some todd solondz flicks, or even 'pink flamingos' and get back to me.

Anonymous said...

onkel chrispy is on crack.
that ending was the biggest letdown. it was like your favorite tv show ending it's season on a cliffhanger only to get cancelled in the offseason.

hattonized

Onkel Chrispy said...

there is an alternate ending which you guys should find more 'rewarding'...
the ending that was edited out of the final cut of the movie, chigurh ends up marrying adam sandler, but they both die tragically in the climactic scene where the death star explodes, the bat signal appears in the clouds, and frodo saves jurrasic park from a starbucks takeover!

Flying Fab Five said...

Truthfully, there is no way of ending that movie satisfactorily.

Chuck and Larry offends straight people more than gays. It insults their intelligence.

I liked No Country for Old Men, but don't give me your "film snobbish, I'm better than you cause I get it bullshit." It was a let down.

Onkel Chrispy said...

i rebuke the accusation of film snob, and invite all here over to my house to watch 'leonard part 6' with me.

it's just i didn't feel empty, or let down by the movies ending. it ended how it should have ended. did you guys want some bloody shootout? are you upset that the 'bad guy' got away?

another ending i've heard people complain about is the end of 'rescue dawn' i won't give it away here in case you didn't see it tho. however, if you did i'm curious as to what you guys thought.

Unknown said...

Old Country's ending is like real life, nothing is ever really resolved, it happens.
It's funny how when people watch movies they always want some sort of closure but when a movie doesn't give you one it's a bad movie. I wonder what do these people think about the movie Ordinary People

Flying Fab Five said...

Dear Film Snob Chrispy,

Give me the damn ball! I'll be there to watch Leonard Part 6 as long as you come over and watch Pluto Nash.

I like when the bad guys get away.

I apologize I know we both love Troma's War so to be snob is way off base.

Anonymous said...

So good movies are movies that aren't neatly wrapped? SNOB!

Onkel Chrispy said...

hell you don't have to apologize! it's funny and also not entirely inaccurate! i love the daily roar, the reviews/articles you write, and the impassioned discussions they ignite! i live for this shit!

Anonymous said...

yes i wanted to see the main character die. i didn't think it within his character for Tommy Lee Jones to just give up. so i guess i'd rather he got himself killed too. that's the ending i would have preferred.

and rescue dawn was good as is. i think it was based on a true story so how could they change the ending anyway?

hattonized

Onkel Chrispy said...

well, i will try to be spoiler free, but several people told me that they had a problem with the celebratory nature of the ending of rescue dawn. this completely baffles me as well...because it's a true story!

actually the documentary by werner herzog called 'little dieter needs to fly' is pretty amazing as well.

Unknown said...

No country for old men was the cinematic equivalent of the Sopranos.

There were so many other ways to end it with the bad guy getting away and it still being a great movie.

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